TONY-nominated, internationally renowned, scenic, costume, and exhibit designer, as well as the Obie Award–winning costume designer of Punchdrunk's Sleep No More and The Burnt City. His celebrated theatrical designs have been featured at The Finnish National Ballet, La Jolla Playhouse, The Old Globe, American Conservatory Theater, Portland Center Stage, American Repertory Theater, Arena Stage, Berkeley Rep, Seattle Repertory Theater, Signature Theatre, Roundabout Stage, among others. He is the founder of OPTIKA MODERNA and the creator of La Lucha, Teatro Piñata, Portaleza, Las Quinceañeras, and Waking La Llorona. His work includes designing for Meow Wolf, Museum of Us, The New Children's Museum, and globally recognized theme parks.
WATER FOR ELEPHANTS - BROADWAY - costume design - TONY + Drama Desk Nomination
Direction: Jessica Stone | Choreography: Shana Carroll + Jesse Robb Scenic Design: Takeshi Kata | Lighting Design: Bradley King. | Projection Design: David Bengali | Sound Design: Walter Trarbach
Photo: Matthew Murphy | Direction: Jessica Stone | Choreography: Shana Carroll + Jesse Robb Scenic Design: Takeshi Kata | Lighting Design: Bradley King. | Projection Design: David Bengali | Sound Design: Walter Trarbach
Direction: Jessica Stone | Choreography: Shana Carroll + Jesse Robb Scenic Design: Takeshi Kata | Lighting Design: Bradley King. | Projection Design: David Bengali | Sound Design: Walter Trarbach
Photo: Matthew Murphy | Direction: Jessica Stone | Choreography: Shana Carroll + Jesse Robb Scenic Design: Takeshi Kata | Lighting Design: Bradley King. | Projection Design: David Bengali | Sound Design: Walter Trarbach
Photo: Matthew Murphy | Direction: Jessica Stone | Choreography: Shana Carroll + Jesse Robb Scenic Design: Takeshi Kata | Lighting Design: Bradley King. | Projection Design: David Bengali | Sound Design: Walter Trarbach
Photo: Matthew Murphy | Direction: Jessica Stone | Choreography: Shana Carroll + Jesse Robb Scenic Design: Takeshi Kata | Lighting Design: Bradley King. | Projection Design: David Bengali | Sound Design: Walter Trarbach
Photo: Matthew Murphy | Direction: Jessica Stone | Choreography: Shana Carroll + Jesse Robb Scenic Design: Takeshi Kata | Lighting Design: Bradley King. | Projection Design: David Bengali | Sound Design: Walter Trarbach
Photo: Matthew Murphy | Direction: Jessica Stone | Choreography: Shana Carroll + Jesse Robb Scenic Design: Takeshi Kata | Lighting Design: Bradley King. | Projection Design: David Bengali | Sound Design: Walter Trarbach
Photo: Matthew Murphy | Direction: Jessica Stone | Choreography: Shana Carroll + Jesse Robb Scenic Design: Takeshi Kata | Lighting Design: Bradley King. | Projection Design: David Bengali | Sound Design: Walter Trarbach
Photo: Matthew Murphy | Direction: Jessica Stone | Choreography: Shana Carroll + Jesse Robb Scenic Design: Takeshi Kata | Lighting Design: Bradley King. | Projection Design: David Bengali | Sound Design: Walter Trarbach
Photo: Matthew Murphy | Direction: Jessica Stone | Choreography: Shana Carroll + Jesse Robb Scenic Design: Takeshi Kata | Lighting Design: Bradley King. | Projection Design: David Bengali | Sound Design: Walter Trarbach
Photo: Matthew Murphy | Direction: Jessica Stone | Choreography: Shana Carroll + Jesse Robb Scenic Design: Takeshi Kata | Lighting Design: Bradley King. | Projection Design: David Bengali | Sound Design: Walter Trarbach
SLEEP NO MORE - BOSTON, NYC + SHANGHAI - costume design for Punchdrunk - OBIE Award
Sleep No More | Shanghai Trailer
Photo: Stephen Dobbie and Lindsay Nolin
Photo: Alick Crossley
Photo: Alick Crossley
Photo: Yaniv Schulman
Photo: Alick Crossley
Hecate dress
photo by Joel Benjamin for Fashion Boston
photo by Joel Benjamin for Fashion Boston
photo by Joel Benjamin for Fashion Boston
photo: Stephen Dobbie and Lindsay Nolin
photo: Stephen Dobbie and Lindsay Nolin
photo: Stephen Dobbie and Lindsay Nolin
photo: Stephen Dobbie and Lindsay Nolin
photo: Stephen Dobbie and Lindsay Nolin
photo: Stephen Dobbie and Lindsay Nolin
photo: Stephen Dobbie and Lindsay Nolin
photo: Thom Kaine
photo: Sarah Wilmer for Hemispheres magazine
Dita Von Teese as Hecate's Sister / Sleep No More NYC
Evan Rachel Wood as Nurse Shaw / Sleep No More NYC
Neil Patrick Harris as the Porter / Sleep No More NYC
Photo: Yuan Studio
Photo: Yuan Studio
LA LUCHA - Design, Direction and Creation of Immersive Experience - La Jolla Playhouse / Museum of Contemporary Art San Diego
Creative Producer: Blake McCarty | Assistant Director: Lorena Santana | Lighting Design: Emily Schmit | Movement Director: Sol de La Rosa | Scenic Associate: Nicholas Ponting | Costume Associate: Tammy Molenaar
Creative Producer: Blake McCarty | Assistant Director: Lorena Santana | Lighting Design: Emily Schmit | Movement Director: Sol de La Rosa | Scenic Associate: Nicholas Ponting | Costume Associate: Tammy Molenaar
Creative Producer: Blake McCarty | Assistant Director: Lorena Santana | Lighting Design: Emily Schmit | Movement Director: Sol de La Rosa | Scenic Associate: Nicholas Ponting | Costume Associate: Tammy Molenaar
Creative Producer: Blake McCarty | Assistant Director: Lorena Santana | Lighting Design: Emily Schmit | Movement Director: Sol de La Rosa | Scenic Associate: Nicholas Ponting | Costume Associate: Tammy Molenaar
Creative Producer: Blake McCarty | Assistant Director: Lorena Santana | Lighting Design: Emily Schmit | Movement Director: Sol de La Rosa | Scenic Associate: Nicholas Ponting | Costume Associate: Tammy Molenaar
Creative Producer: Blake McCarty | Assistant Director: Lorena Santana | Lighting Design: Emily Schmit | Movement Director: Sol de La Rosa | Scenic Associate: Nicholas Ponting | Costume Associate: Tammy Molenaar
Creative Producer: Blake McCarty | Assistant Director: Lorena Santana | Lighting Design: Emily Schmit | Movement Director: Sol de La Rosa | Scenic Associate: Nicholas Ponting | Costume Associate: Tammy Molenaar
Creative Producer: Blake McCarty | Assistant Director: Lorena Santana | Lighting Design: Emily Schmit | Movement Director: Sol de La Rosa | Scenic Associate: Nicholas Ponting
Creative Producer: Blake McCarty | Assistant Director: Lorena Santana | Lighting Design: Emily Schmit | Movement Director: Sol de La Rosa | Scenic Associate: Nicholas Ponting | Costume Associate: Tammy Molenaar
Creative Producer: Blake McCarty | Assistant Director: Lorena Santana | Lighting Design: Emily Schmit | Movement Director: Sol de La Rosa | Scenic Associate: Nicholas Ponting | Costume Associate: Tammy Molenaar
Creative Producer: Blake McCarty | Assistant Director: Lorena Santana | Lighting Design: Emily Schmit | Movement Director: Sol de La Rosa | Scenic Associate: Nicholas Ponting | Costume Associate: Tammy Molenaar
THE BURNT CITY - costume design for Punchdrunk
The Burnt City- Trailer - courtesy of Punchdrunk (all rights reserved)
Photo: Julian Abrams | Associate Costume Design by: Katherine Watt | Directed by Felix Barrett & Maxine Doyle | Choreographed by Maxine Doyle
Designed by Felix Barrett, Livi Vaughan & Beatrice Minns | Sound Design by Stephen Dobbie | Lighting Design by F9 Ben Donoghue & Felix Barrett | Audience Experience Curator: Colin Nightingale
Photo: Julian Abrams | Associate Costume Design by: Katherine Watt | Directed by Felix Barrett & Maxine Doyle | Choreographed by Maxine Doyle
Designed by Felix Barrett, Livi Vaughan & Beatrice Minns | Sound Design by Stephen Dobbie | Lighting Design by F9 Ben Donoghue & Felix Barrett | Audience Experience Curator: Colin Nightingale
Photo: Julian Abrams | Associate Costume Design by: Katherine Watt | Directed by Felix Barrett & Maxine Doyle | Choreographed by Maxine Doyle
Designed by Felix Barrett, Livi Vaughan & Beatrice Minns | Sound Design by Stephen Dobbie | Lighting Design by F9 Ben Donoghue & Felix Barrett | Audience Experience Curator: Colin Nightingale
Photo: Julian Abrams | Associate Costume Design by: Katherine Watt | Directed by Felix Barrett & Maxine Doyle | Choreographed by Maxine Doyle
Designed by Felix Barrett, Livi Vaughan & Beatrice Minns | Sound Design by Stephen Dobbie | Lighting Design by F9 Ben Donoghue & Felix Barrett | Audience Experience Curator: Colin Nightingale
Photo: Julian Abrams | Associate Costume Design by: Katherine Watt | Directed by Felix Barrett & Maxine Doyle | Choreographed by Maxine Doyle
Designed by Felix Barrett, Livi Vaughan & Beatrice Minns | Sound Design by Stephen Dobbie | Lighting Design by F9 Ben Donoghue & Felix Barrett | Audience Experience Curator: Colin Nightingale
Photo: Julian Abrams | Associate Costume Design by: Katherine Watt | Directed by Felix Barrett & Maxine Doyle | Choreographed by Maxine Doyle
Designed by Felix Barrett, Livi Vaughan & Beatrice Minns | Sound Design by Stephen Dobbie | Lighting Design by F9 Ben Donoghue & Felix Barrett | Audience Experience Curator: Colin Nightingale
Photo: Julian Abrams | Associate Costume Design by: Katherine Watt | Directed by Felix Barrett & Maxine Doyle | Choreographed by Maxine Doyle
Designed by Felix Barrett, Livi Vaughan & Beatrice Minns | Sound Design by Stephen Dobbie | Lighting Design by F9 Ben Donoghue & Felix Barrett | Audience Experience Curator: Colin Nightingale
Photo: Julian Abrams | Associate Costume Design by: Katherine Watt | Directed by Felix Barrett & Maxine Doyle | Choreographed by Maxine Doyle
Designed by Felix Barrett, Livi Vaughan & Beatrice Minns | Sound Design by Stephen Dobbie | Lighting Design by F9 Ben Donoghue & Felix Barrett | Audience Experience Curator: Colin Nightingale
Photo: Julian Abrams | Associate Costume Design by: Katherine Watt | Directed by Felix Barrett & Maxine Doyle | Choreographed by Maxine Doyle
Designed by Felix Barrett, Livi Vaughan & Beatrice Minns | Sound Design by Stephen Dobbie | Lighting Design by F9 Ben Donoghue & Felix Barrett | Audience Experience Curator: Colin Nightingale
THE WANDERERS - costume design for Roundabout Theatre Company
photo: Joan Marcus | playwright: Anna Ziegler | direction: Barry Edelstein | scenic design: Marion Williams | lighting design: Kenneth Posner | sound design: Jane Shaw | wig design: Tommy Kurzman
photo: Joan Marcus | playwright: Anna Ziegler | direction: Barry Edelstein | scenic design: Marion Williams | lighting design: Kenneth Posner | sound design: Jane Shaw | wig design: Tommy Kurzman
photo: Joan Marcus | playwright: Anna Ziegler | direction: Barry Edelstein | scenic design: Marion Williams | lighting design: Kenneth Posner | sound design: Jane Shaw | wig design: Tommy Kurzman
photo: Joan Marcus | playwright: Anna Ziegler | direction: Barry Edelstein | scenic design: Marion Williams | lighting design: Kenneth Posner | sound design: Jane Shaw | wig design: Tommy Kurzman
photo: Joan Marcus | playwright: Anna Ziegler | direction: Barry Edelstein | scenic design: Marion Williams | lighting design: Kenneth Posner | sound design: Jane Shaw | wig design: Tommy Kurzman
photo: Joan Marcus | playwright: Anna Ziegler | direction: Barry Edelstein | scenic design: Marion Williams | lighting design: Kenneth Posner | sound design: Jane Shaw | wig design: Tommy Kurzman
photo: Joan Marcus | playwright: Anna Ziegler | direction: Barry Edelstein | scenic design: Marion Williams | lighting design: Kenneth Posner | sound design: Jane Shaw | wig design: Tommy Kurzman
TEATRO PIÑATA - Immersive Installation - The New Children's Museum, San Diego
Lighting Design: Emily Schmit | Scenic Associate: Nicholas Ponting
Lighting Design: Emily Schmit | Scenic Associate: Nicholas Ponting
Lighting Design: Emily Schmit | Scenic Associate: Nicholas Ponting
Lighting Design: Emily Schmit | Scenic Associate: Nicholas Ponting
Lighting Design: Emily Schmit | Scenic Associate: Nicholas Ponting
Lighting Design: Emily Schmit | Scenic Associate: Nicholas Ponting
Lighting Design: Emily Schmit | Scenic Associate: Nicholas Ponting
Lighting Design: Emily Schmit | Scenic Associate: Nicholas Ponting
Lighting Design: Emily Schmit | Scenic Associate: Nicholas Ponting
POP UP WOW Festival - La Jolla Playhouse | Lighting Design: Emily Schmit | Scenic Associate: Nicholas Ponting
Take Home Miniature Paper TEATRO
A MIDSUMMER NIGHT'S DREAM - scenic + costume design for The Old Globe
photo: Rich Soublet II | directed by: Patricia McGregor | lighting design: Stephen Strawbridge | sound design: Melanie Chen Cole
photo: Rich Soublet II | directed by: Patricia McGregor | lighting design: Stephen Strawbridge | sound design: Melanie Chen Cole
photo: Rich Soublet II | directed by: Patricia McGregor | lighting design: Stephen Strawbridge | sound design: Melanie Chen Cole
photo: Rich Soublet II | directed by: Patricia McGregor | lighting design: Stephen Strawbridge | sound design: Melanie Chen Cole
photo: Rich Soublet II | directed by: Patricia McGregor | lighting design: Stephen Strawbridge | sound design: Melanie Chen Cole
photo: Rich Soublet II | directed by: Patricia McGregor | lighting design: Stephen Strawbridge | sound design: Melanie Chen Cole
photo: Rich Soublet II | directed by: Patricia McGregor | lighting design: Stephen Strawbridge | sound design: Melanie Chen Cole
photo: Rich Soublet II | directed by: Patricia McGregor | lighting design: Stephen Strawbridge | sound design: Melanie Chen Cole
photo: Rich Soublet II | directed by: Patricia McGregor | lighting design: Stephen Strawbridge | sound design: Melanie Chen Cole
photo: Rich Soublet II | directed by: Patricia McGregor | lighting design: Stephen Strawbridge | sound design: Melanie Chen Cole
INTO THE WOODS - costume design for Signature Theatre - Helen Hayes Nomination
photo: Daniel Radar | directed by: Matthew Gardiner | scenic design: Lee Savage | lighting design: Amanda Zieve | sound design: Eric Norris | associate costume design: Alexa Duimstra | wig design: Tommy Kurzman
photo: Daniel Radar | directed by: Matthew Gardiner | scenic design: Lee Savage | lighting design: Amanda Zieve | sound design: Eric Norris | associate costume design: Alexa Duimstra | wig design: Tommy Kurzman
directed by: Matthew Gardiner | scenic design: Lee Savage | lighting design: Amanda Zieve | sound design: Eric Norris | associate costume design: Alexa Duimstra | wig design: Tommy Kurzman
photo: Daniel Radar | directed by: Matthew Gardiner | scenic design: Lee Savage | lighting design: Amanda Zieve | sound design: Eric Norris | associate costume design: Alexa Duimstra | wig design: Tommy Kurzman
photo: Daniel Radar | directed by: Matthew Gardiner | scenic design: Lee Savage | lighting design: Amanda Zieve | sound design: Eric Norris | associate costume design: Alexa Duimstra | wig design: Tommy Kurzman
directed by: Matthew Gardiner | scenic design: Lee Savage | lighting design: Amanda Zieve | sound design: Eric Norris | associate costume design: Alexa Duimstra | wig design: Tommy Kurzman
JEKYLL + HYDE - scenic and costume design for Finnish National Ballet | Val Caniparoli
Choreography: Val Caniparoli | Lighting Design: Jim French
Choreography: Val Caniparoli | Lighting Design: Jim French
Choreography: Val Caniparoli | Lighting Design: Jim French
Choreography: Val Caniparoli | Lighting Design: Jim French
Choreography: Val Caniparoli | Lighting Design: Jim French
Choreography: Val Caniparoli | Lighting Design: Jim French
Choreography: Val Caniparoli | Lighting Design: Jim French
Choreography: Val Caniparoli | Lighting Design: Jim French
Choreography: Val Caniparoli | Lighting Design: Jim French
Choreography: Val Caniparoli | Lighting Design: Jim French
Choreography: Val Caniparoli | Lighting Design: Jim French
Choreography: Val Caniparoli | Lighting Design: Jim French
Choreography: Val Caniparoli | Lighting Design: Jim French
HAIR - costume design for The Old Globe
directed by: James Vasquez | scenic design: Timothy Mackabee | lighting design: Amanda Zieve | sound design: Ken Travis | choreography: Mayte Natalio | music direction: Angela Steiner | photo: Jim Cox
directed by: James Vasquez | scenic design: Timothy Mackabee | lighting design: Amanda Zieve | sound design: Ken Travis | choreography: Mayte Natalio | music direction: Angela Steiner | photo: Jim Cox
directed by: James Vasquez | scenic design: Timothy Mackabee | lighting design: Amanda Zieve | sound design: Ken Travis | choreography: Mayte Natalio | music direction: Angela Steiner | photo: Jim Cox
directed by: James Vasquez | scenic design: Timothy Mackabee | lighting design: Amanda Zieve | sound design: Ken Travis | choreography: Mayte Natalio | music direction: Angela Steiner | photo: Jim Cox
directed by: James Vasquez | scenic design: Timothy Mackabee | lighting design: Amanda Zieve | sound design: Ken Travis | choreography: Mayte Natalio | music direction: Angela Steiner | photo: Jim Cox
directed by: James Vasquez | scenic design: Timothy Mackabee | lighting design: Amanda Zieve | sound design: Ken Travis | choreography: Mayte Natalio | music direction: Angela Steiner | photo: Jim Cox
AS YOU LIKE IT - costume design for The Old Globe
Director: Jessica Stone | Scenery: Tobin Ost | Lighting: Stephen Strawbridge | Sound: Sten Severson | Photo: Jim Cox
Director: Jessica Stone | Scenery: Tobin Ost | Lighting: Stephen Strawbridge | Sound: Sten Severson | Photo: Jim Cox
Director: Jessica Stone | Scenery: Tobin Ost | Lighting: Stephen Strawbridge | Sound: Sten Severson | Photo: Jim Cox
Director: Jessica Stone | Scenery: Tobin Ost | Lighting: Stephen Strawbridge | Sound: Sten Severson | Photo: Jim Cox
Director: Jessica Stone | Scenery: Tobin Ost | Lighting: Stephen Strawbridge | Sound: Sten Severson | Photo: Jim Cox
Director: Jessica Stone | Scenery: Tobin Ost | Lighting: Stephen Strawbridge | Sound: Sten Severson | Photo: Jim Cox
Director: Jessica Stone | Scenery: Tobin Ost | Lighting: Stephen Strawbridge | Sound: Sten Severson | Photo: Jim Cox
Director: Jessica Stone | Scenery: Tobin Ost | Lighting: Stephen Strawbridge | Sound: Sten Severson | Photo: Jim Cox
TWELFTH NIGHT - costume design for The Old Globe
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
direction: Rebecca Taichman | scenic design: Riccardo Hernandez | lighting design: Chris Akerlind | photo: Jim Cox
WAKING LA LLORONA - Direction, Design and Creation of Immersive Experience | Optika Moderna
Photo: Optika Moderna LLC all rights reserved
Photo: Jose Galvan | Lighting Design: Anthony Jannuzzi
Photo: Jose Galvan | Lighting Design: Anthony Jannuzzi
Photo: Jose Galvan | Optika Moderna LLC all rights reserved
Photo: Jose Galvan | Optika Moderna LLC all rights reserved
Photo: Optika Moderna LLC all rights reserved
Photo: Jose Galvan | Optika Moderna LLC all rights reserved
Photo: Optika Moderna LLC all rights reserved
Photo: Jose Galvan | Lighting Design: Anthony Jannuzzi
Eyeglass sculpture: Jason Sherry | Photo: Optika Moderna LLC all rights reserved
Photo: Jose Galvan | Lighting Design: Anthony Jannuzzi
Photo: Optika Moderna LLC all rights reserved
Photo: Optika Moderna LLC all rights reserved
Photo: Optika Moderna LLC all rights reserved
SHE WHO: FRIDA, MAMI + ME - costume design for CONTRA TIEMPO / Marjani Forte
Location: Ford's Amphitheater, Los Angeles, CA | Photo: Gennia Cui / The Future Collective
Location: Ford's Amphitheater, Los Angeles, CA | Photo: Gennia Cui / The Future Collective
Location: Ford's Amphitheater, Los Angeles, CA | Photo: Gennia Cui / The Future Collective
Location: Ford's Amphitheater, Los Angeles, CA | Photo: Gennia Cui / The Future Collective
Location: Ford's Amphitheater, Los Angeles, CA | Photo: Gennia Cui / The Future Collective
Location: Ford's Amphitheater, Los Angeles, CA | Photo: Gennia Cui / The Future Collective
Location: Ford's Amphitheater, Los Angeles, CA | Photo: Gennia Cui / The Future Collective
Location: Ford's Amphitheater, Los Angeles, CA | Photo: Gennia Cui / The Future Collective
Location: Ford's Amphitheater, Los Angeles, CA | Photo: Gennia Cui / The Future Collective
Location: Ford's Amphitheater, Los Angeles, CA | Photo: Gennia Cui / The Future Collective
GHOSTS - costume design for Seattle Rep
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
Photo: Bronwen Houck | Direction: Carey Perloff | Scenic Design: Dane Laffrey | Lighting Design: Robert Wierzel | Sound Design: Victoria Deioirio
TO THE YELLOW HOUSE - costume design for world premiere at La Jolla Playhouse
written by: Kimber Lee | directed by: Neel Keller | scenic design: Takeshi Kata | lighting design: Masha Tsimring | projection design: Nicholas Hussong | sound design: Palmer Hefferan | photo by: Rich Soublet II
written by: Kimber Lee | directed by: Neel Keller | scenic design: Takeshi Kata | lighting design: Masha Tsimring | projection design: Nicholas Hussong | sound design: Palmer Hefferan | photo by: Rich Soublet II
written by: Kimber Lee | directed by: Neel Keller | scenic design: Takeshi Kata | lighting design: Masha Tsimring | projection design: Nicholas Hussong | sound design: Palmer Hefferan | photo by: Rich Soublet II
written by: Kimber Lee | directed by: Neel Keller | scenic design: Takeshi Kata | lighting design: Masha Tsimring | projection design: Nicholas Hussong | sound design: Palmer Hefferan
written by: Kimber Lee | directed by: Neel Keller | scenic design: Takeshi Kata | lighting design: Masha Tsimring | projection design: Nicholas Hussong | sound design: Palmer Hefferan | photo by: Rich Soublet II
written by: Kimber Lee | directed by: Neel Keller | scenic design: Takeshi Kata | lighting design: Masha Tsimring | projection design: Nicholas Hussong | sound design: Palmer Hefferan
written by: Kimber Lee | directed by: Neel Keller | scenic design: Takeshi Kata | lighting design: Masha Tsimring | projection design: Nicholas Hussong | sound design: Palmer Hefferan | photo by: Rich Soublet II
written by: Kimber Lee | directed by: Neel Keller | scenic design: Takeshi Kata | lighting design: Masha Tsimring | projection design: Nicholas Hussong | sound design: Palmer Hefferan | photo by: Rich Soublet II
written by: Kimber Lee | directed by: Neel Keller | scenic design: Takeshi Kata | lighting design: Masha Tsimring | projection design: Nicholas Hussong | sound design: Palmer Hefferan | photo by: Rich Soublet II
IN THE HEIGHTS - costume design for Milwaukee Repertory Theater , Seattle Repertory Theatre, Cincinnati Playhouse in the Park
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
Photo: Michael Brosilow | Direction: May Adrales | Choreography: William Carlos Angulo | Scenic Design: Timothy Mackabee | Lighting Design: Robert Aguilar | Sound design: Megan Goode | Music Direction: Dan Kazemi
LAS QUINCEAÑERAS - OPTIKA MODERNA | La Jolla Playhouse WOW Festival 2019 - creation / direction
photo by: Kelly Bartnik | co-director: Careena Melia | movement director: Kelly Bartnik | lighting design: Emily Schmit
photo by: Kelly Bartnik | co-director: Careena Melia | movement director: Kelly Bartnik | lighting design: Emily Schmit
photo by: Kelly Bartnik | co-director: Careena Melia | movement director: Kelly Bartnik | lighting design: Emily Schmit
photo by: Kelly Bartnik | co-director: Careena Melia | movement director: Kelly Bartnik | lighting design: Emily Schmit
photo by: Kelly Bartnik | co-director: Careena Melia | movement director: Kelly Bartnik | lighting design: Emily Schmit
photo by: Kelly Bartnik | co-director: Careena Melia | movement director: Kelly Bartnik | lighting design: Emily Schmit
photo by: Kelly Bartnik | co-director: Careena Melia | movement director: Kelly Bartnik | lighting design: Emily Schmit
photo by: Kelly Bartnik | co-director: Careena Melia | movement director: Kelly Bartnik | lighting design: Emily Schmit
photo by: Kelly Bartnik | co-director: Careena Melia | movement director: Kelly Bartnik | lighting design: Emily Schmit
HAMLET - scenic and costume design for American Conservatory Theater
Trailer by American Conservatory Theater
photo: Kevin Berne | direction: Carey Perloff | lighting: James F. Ingalls
photo: Robert Hand | direction: Carey Perloff | lighting: James F. Ingalls
photo: Kevin Berne | direction: Carey Perloff | lighting: James F. Ingalls
photo: Kevin Berne | direction: Carey Perloff | lighting: James F. Ingalls
photo: Kevin Berne | direction: Carey Perloff | lighting: James F. Ingalls
photo: Robert Hand | direction: Carey Perloff | lighting: James F. Ingalls
photo: Robert Hand | direction: Carey Perloff | lighting: James F. Ingalls
photo: Robert Hand | direction: Carey Perloff | lighting: James F. Ingalls
photo: Robert Hand | direction: Carey Perloff | lighting: James F. Ingalls
photo: Robert Hand | direction: Carey Perloff | lighting: James F. Ingalls
photo: Robert Hand | direction: Carey Perloff | lighting: James F. Ingalls
photo: Robert Hand | direction: Carey Perloff | lighting: James F. Ingalls
ARMS AND THE MAN - costume design for The Old Globe
direction: Jessica Stone | scenery: Ralph Funicello | lighting: Austin R. Smith | photo: Jim Cox
direction: Jessica Stone | scenery: Ralph Funicello | lighting: Austin R. Smith | photo: Jim Cox
direction: Jessica Stone | scenery: Ralph Funicello | lighting: Austin R. Smith | photo: Jim Cox
direction: Jessica Stone | scenery: Ralph Funicello | lighting: Austin R. Smith | photo: Jim Cox
direction: Jessica Stone | scenery: Ralph Funicello | lighting: Austin R. Smith | photo: Jim Cox
direction: Jessica Stone | scenery: Ralph Funicello | lighting: Austin R. Smith | photo: Jim Cox
direction: Jessica Stone | scenery: Ralph Funicello | lighting: Austin R. Smith | photo: Jim Cox
direction: Jessica Stone | scenery: Ralph Funicello | lighting: Austin R. Smith | photo: Jim Cox
direction: Jessica Stone | scenery: Ralph Funicello | lighting: Austin R. Smith | photo: Jim Cox
direction: Jessica Stone | scenery: Ralph Funicello | lighting: Austin R. Smith | photo: Jim Cox
direction: Jessica Stone | scenery: Ralph Funicello | lighting: Austin R. Smith | photo: Jim Cox
direction: Jessica Stone | scenery: Ralph Funicello | lighting: Austin R. Smith | photo: Jim Cox
TIME AND THE CONWAYS - costume design for The Old Globe
direction: Rebecca Taichman / scenery: Neil Patel / Lights: Scott Zielinski
direction: Rebecca Taichman / scenery: Neil Patel / Lights: Scott Zielinski
direction: Rebecca Taichman / scenery: Neil Patel / Lights: Scott Zielinski
direction: Rebecca Taichman / scenery: Neil Patel / Lights: Scott Zielinski
direction: Rebecca Taichman / scenery: Neil Patel / Lights: Scott Zielinski
direction: Rebecca Taichman / scenery: Neil Patel / Lights: Scott Zielinski
direction: Rebecca Taichman / scenery: Neil Patel / Lights: Scott Zielinski
direction: Rebecca Taichman / scenery: Neil Patel / Lights: Scott Zielinski
direction: Rebecca Taichman / scenery: Neil Patel / Lights: Scott Zielinski
THE TEMPEST - costume design for The Old Globe
Photo: Jim Cox | Direction: Joe Dowling | Scenic Design: Alexander Dodge | Lighting design: Philip Rosenberg | Sound design: Jonathan Deans
Photo: Jim Cox | Direction: Joe Dowling | Scenic Design: Alexander Dodge | Lighting design: Philip Rosenberg | Sound design: Jonathan Deans
Photo: Jim Cox | Direction: Joe Dowling | Scenic Design: Alexander Dodge | Lighting design: Philip Rosenberg | Sound design: Jonathan Deans
Photo: Jim Cox | Direction: Joe Dowling | Scenic Design: Alexander Dodge | Lighting design: Philip Rosenberg | Sound design: Jonathan Deans
Photo: Jim Cox | Direction: Joe Dowling | Scenic Design: Alexander Dodge | Lighting design: Philip Rosenberg | Sound design: Jonathan Deans
Photo: Jim Cox | Direction: Joe Dowling | Scenic Design: Alexander Dodge | Lighting design: Philip Rosenberg | Sound design: Jonathan Deans
Photo: Jim Cox | Direction: Joe Dowling | Scenic Design: Alexander Dodge | Lighting design: Philip Rosenberg | Sound design: Jonathan Deans
Photo: Jim Cox | Direction: Joe Dowling | Scenic Design: Alexander Dodge | Lighting design: Philip Rosenberg | Sound design: Jonathan Deans
Photo: Jim Cox | Direction: Joe Dowling | Scenic Design: Alexander Dodge | Lighting design: Philip Rosenberg | Sound design: Jonathan Deans
LIVING WITH ANIMALS - Exhibit Design for San Diego Museum of Man
Photo: Stacy Keck | Exhibit Director: Erika Katayama | Exhibit Developer: Sarah Crawford | Graphic Design: Sonya Calderon | Fabrication: Kate Clyde, Libby Tillman
Photo: Stacy Keck | Exhibit Director: Erika Katayama | Exhibit Developer: Sarah Crawford | Graphic Design: Sonya Calderon | Fabrication: Kate Clyde, Libby Tillman
Photo: Stacy Keck | Exhibit Director: Erika Katayama | Exhibit Developer: Sarah Crawford | Graphic Design: Sonya Calderon | Fabrication: Kate Clyde, Libby Tillman
Photo: Stacy Keck | Exhibit Director: Erika Katayama | Exhibit Developer: Sarah Crawford | Graphic Design: Sonya Calderon | Fabrication: Kate Clyde, Libby Tillman | Paper Mache Animal Head: Carmel Dundon
Photo: Stacy Keck | Exhibit Director: Erika Katayama | Exhibit Developer: Sarah Crawford | Graphic Design: Sonya Calderon | Fabrication: Kate Clyde, Libby Tillman
Photo: Stacy Keck | Exhibit Director: Erika Katayama | Exhibit Developer: Sarah Crawford | Graphic Design: Sonya Calderon | Fabrication: Kate Clyde, Libby Tillman
Photo: Stacy Keck | Exhibit Director: Erika Katayama | Exhibit Developer: Sarah Crawford | Graphic Design: Sonya Calderon | Fabrication: Kate Clyde, Libby Tillman
Photo: Stacy Keck | Exhibit Director: Erika Katayama | Exhibit Developer: Sarah Crawford | Graphic Design: Sonya Calderon | Fabrication: Kate Clyde, Libby Tillman | Paper Mache Animal Head: Carmel Dundon
Photo: Stacy Keck | Exhibit Director: Erika Katayama | Exhibit Developer: Sarah Crawford | Graphic Design: Sonya Calderon | Fabrication: Kate Clyde, Libby Tillman
Photo: Stacy Keck | Exhibit Director: Erika Katayama | Exhibit Developer: Sarah Crawford | Graphic Design: Sonya Calderon | Fabrication: Kate Clyde, Libby Tillman
Photo: Stacy Keck | Animal Sculptures: Carmel Dundon
Photo: Stacy Keck | Exhibit Director: Erika Katayama | Exhibit Developer: Sarah Crawford | Graphic Design: Sonya Calderon | Fabrication: Kate Clyde, Libby Tillman
Photo: Stacy Keck | Exhibit Director: Erika Katayama | Exhibit Developer: Sarah Crawford | Graphic Design: Sonya Calderon | Fabrication: Kate Clyde, Libby Tillman
BAREFOOT IN THE PARK - costume design for The Old Globe
Kerry Bishé, Chris Lowell | direction: Jessica Stone | scenery: Tobin Ost | lighting: Amanda Zieve | photo: Jim Cox
Kerry Bishé, Chris Lowell, Mia Dillon, Jere Burns | direction: Jessica Stone | scenery: Tobin Ost | lighting: Amanda Zieve | photo: Jim Cox
Kerry Bishé, Chris Lowell | direction: Jessica Stone | scenery: Tobin Ost | lighting: Amanda Zieve | photo: Jim Cox
Kerry Bishé, Chris Lowell | direction: Jessica Stone | scenery: Tobin Ost | lighting: Amanda Zieve | photo: Jim Cox
Kerry Bishé, Chris Lowell | direction: Jessica Stone | scenery: Tobin Ost | lighting: Amanda Zieve | photo: Jim Cox
Kerry Bishé, Jere Burns | direction: Jessica Stone | scenery: Tobin Ost | lighting: Amanda Zieve | photo: Jim Cox
Kerry Bishé, Mia Dillon | direction: Jessica Stone | scenery: Tobin Ost | lighting: Amanda Zieve | photo: Jim Cox
Kerry Bishé, Chris Lowell, Mia Dillon, Jere Burns | direction: Jessica Stone | scenery: Tobin Ost | lighting: Amanda Zieve | photo: Jim Cox
Kerry Bishé, Jere Burns | direction: Jessica Stone | scenery: Tobin Ost | lighting: Amanda Zieve | photo: Jim Cox
Kerry Bishé, Chris Lowell, Jake Millgard | direction: Jessica Stone | scenery: Tobin Ost | lighting: Amanda Zieve | photo: Jim Cox
RED VELVET - costume design for The Old Globe
photo: Jim Cox | direction: Stafford Arima | scenic design: Jason Sherwood | lighting design: Jason Lyons
photo: Jim Cox | direction: Stafford Arima | scenic design: Jason Sherwood | lighting design: Jason Lyons
photo: Jim Cox | direction: Stafford Arima | scenic design: Jason Sherwood | lighting design: Jason Lyons
photo: Jim Cox | direction: Stafford Arima | scenic design: Jason Sherwood | lighting design: Jason Lyons
photo: Jim Cox | direction: Stafford Arima | scenic design: Jason Sherwood | lighting design: Jason Lyons
photo: Jim Cox | direction: Stafford Arima | scenic design: Jason Sherwood | lighting design: Jason Lyons
photo: Jim Cox | direction: Stafford Arima | scenic design: Jason Sherwood | lighting design: Jason Lyons
photo: Jim Cox | direction: Stafford Arima | scenic design: Jason Sherwood | lighting design: Jason Lyons
CONSTELLATIONS - scenic design for The Old Globe
direction: Rick Seer | lighting: Bradley King | costumes: Elisa Benzoni | Photo: Jim Cox
direction: Rick Seer | lighting: Bradley King | costumes: Elisa Benzoni | Photo: Jim Cox
direction: Rick Seer | lighting: Bradley King | costumes: Elisa Benzoni | Photo: Jim Cox
direction: Rick Seer | lighting: Bradley King | costumes: Elisa Benzoni
direction: Rick Seer | lighting: Bradley King | costumes: Elisa Benzoni
direction: Rick Seer | lighting: Bradley King | costumes: Elisa Benzoni | Photo: Jim Cox
HEALING WARS - scenery + costume design for Liz Lerman | Arena Stage | La Jolla Playhouse
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
La Jolla Playhouse Trailer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
direction: Liz Lerman / lighting: Heidi Eckwall / projection & media design: Kate Freer
photo: Marina Levitskaya / lighting: Jen Schriever
DOUBLE INDEMNITY - costume design for The Old Globe
direction: John Gould Rubin / scenery: Christopher Barreca / lighting: Stephen Strawbridge / photo: Jim Cox
direction: John Gould Rubin / scenery: Christopher Barreca / lighting: Stephen Strawbridge / photo: Jim Cox
direction: John Gould Rubin / scenery: Christopher Barreca / lighting: Stephen Strawbridge / photo: Jim Cox
direction: John Gould Rubin / scenery: Christopher Barreca / lighting: Stephen Strawbridge / photo: Jim Cox
direction: John Gould Rubin / scenery: Christopher Barreca / lighting: Stephen Strawbridge / photo: Jim Cox
direction: John Gould Rubin / scenery: Christopher Barreca / lighting: Stephen Strawbridge / photo: Jim Cox
direction: John Gould Rubin / scenery: Christopher Barreca / lighting: Stephen Strawbridge / photo: Jim Cox
direction: John Gould Rubin / scenery: Christopher Barreca / lighting: Stephen Strawbridge / photo: Jim Cox
direction: John Gould Rubin / scenery: Christopher Barreca / lighting: Stephen Strawbridge / photo: Jim Cox
FUTURITY - scenery + costume design for American Repertory Theater / Walker Art Center
American Theatre Magazine cover / April 2013
Photo: Evgenia Eliseeva, director: Sarah Benson, production design: Emily Orling, lighting: Austin Smith
Photo: Evgenia Eliseeva, director: Sarah Benson, production design: Emily Orling, lighting: Austin Smith
Photo: Evgenia Eliseeva, director: Sarah Benson, production design: Emily Orling, lighting: Austin Smith
Photo: Evgenia Eliseeva, director: Sarah Benson, production design: Emily Orling, lighting: Austin Smith
Photo: Evgenia Eliseeva, director: Sarah Benson, production design: Emily Orling, lighting: Austin Smith
costume constructed by Caitlin Menotti
Photo: Evgenia Eliseeva, director: Sarah Benson, production design: Emily Orling, lighting: Austin Smith
Photo: Evgenia Eliseeva, director: Sarah Benson, production design: Emily Orling, lighting: Austin Smith
Photo: Evgenia Eliseeva, director: Sarah Benson, production design: Emily Orling, lighting: Austin Smith
Photo: Evgenia Eliseeva, director: Sarah Benson, production design: Emily Orling, lighting: Austin Smith
Photo: Evgenia Eliseeva, director: Sarah Benson, production design: Emily Orling, lighting: Austin Smith
Photo: Evgenia Eliseeva, director: Sarah Benson, production design: Emily Orling, lighting: Austin Smith
WATER BY THE SPOONFUL - costume design for The Old Globe
direction: Edward Torres / scenery: Ralph Funicello / lighting: Jesse Klug / photo: Jim Cox
direction: Edward Torres / scenery: Ralph Funicello / lighting: Jesse Klug / photo: Jim Cox
direction: Edward Torres / scenery: Ralph Funicello / lighting: Jesse Klug / photo: Jim Cox
direction: Edward Torres / scenery: Ralph Funicello / lighting: Jesse Klug / photo: Jim Cox
direction: Edward Torres / scenery: Ralph Funicello / lighting: Jesse Klug / photo: Jim Cox
direction: Edward Torres / scenery: Ralph Funicello / lighting: Jesse Klug / photo: Jim Cox
GALLOW GREEN - costume design for rooftop bar/restaurant at The McKittrick Hotel
assistant design / photography: cameron loeb
assistant design / photography: cameron loeb
assistant design / photography: cameron loeb
assistant design / photography: cameron loeb { coat constructed by artur & tailors ltd }
photographer unknown
assistant design / photography: cameron loeb
photographer unknown
CABARET - scenery and costume design American Repertory Theater
Direction: Steven Bogart, Lighting: Nicholas Vargelis, Photo: Marcus Stern
Direction: Steven Bogart, Lighting: Nicholas Vargelis, Photo: Marcus Stern
Direction: Steven Bogart, Lighting: Nicholas Vargelis, Photo: Marcus Stern
photo: Marcus Stern
Direction: Steven Bogart, Lighting: Nicholas Vargelis, Photo: Marcus Stern
Direction: Steven Bogart, Lighting: Nicholas Vargelis, Photo: Marcus Stern
Direction: Steven Bogart, Lighting: Nicholas Vargelis, Photo: Marcus Stern
Direction: Steve Maler Set: Patrick Lynch , Lighting: Justin Townsend, Photo: Andrew Brilliant
photo: Marcus Stern
Direction: Steven Bogart, Lighting: Nicholas Vargelis, Photo: Marcus Stern
Direction: Steven Bogart, Lighting: Nicholas Vargelis, Photo: Marcus Stern
Photo Styling for Amanda Palmer ; Photo: Kyle Cassidy
COMEDY OF ERRORS - costume design for Commonwealth Shakespeare Company
Set Design by Jon Savage; Photo: Ryan Maxwell
Set Design by Jon Savage; Photo: Andrew Brilliant
Set Design by Jon Savage; Photo: Andrew Brilliant
photo: Chris Cebelinski set design: Jon Savage
photo: Chris Cebelinski set design: Jon Savage
Set Design by Jon Savage; Photo: Ryan Maxwell
Set Design by Jon Savage; Photo: Ryan Maxwell
Set Design by Jon Savage; Photo: Ryan Maxwell
photo: Chris Cebelinski set design: Jon Savage
photo: Chris Cebelinski set design: Jon Savage
photo: Chris Cebelinski set design: Jon Savage
NO MAN's LAND - costume design for American Repertory Theater
Paul Benedict, Max Wright / Directed by David Wheeler / Scenery: Michael Griggs / Photo: T.Charles Erickson
Max Wright, Paul Benedict / Directed by David Wheeler / Scenery: Michael Griggs / Photo: T.Charles Erickson
Lewis D. Wheeler , Directed by David Wheeler / Scenery: Michael Griggs / Photo: T.Charles Erickson
Henry David Clarke , Directed by David Wheeler / Scenery: Michael Griggs / Photo: T.Charles Erickson
Lewis D. Wheeler, Max Wright / Directed by David Wheeler / Scenery: Michael Griggs / Photo: T.Charles Erickson
Henry D. Clarke, Paul Benedict / Directed by David Wheeler / Scenery: Michael Griggs / Photo: T.Charles Erickson
Henry D. Clarke, Lewis D. Wheeler /Directed by David Wheeler / Scenery: Michael Griggs / Photo: T.Charles Erickson
Directed by David Wheeler / Scenery: Michael Griggs / Photo: T.Charles Erickson
Paul Benedict, Directed by David Wheeler / Scenery: Michael Griggs / Photo: T.Charles Erickson
Directed by David Wheeler / Scenery: Michael Griggs / Photo: T.Charles Erickson
OTHELLO - costume design for Commonwealth Shakespeare Company
Direction: Steve Maler Set: Patrick Lynch , Lighting: Justin Townsend, Photo: Andrew Brilliant
Direction: Steve Maler Set: Patrick Lynch , Lighting: Justin Townsend, Photo: Andrew Brilliant
Direction: Steve Maler Set: Patrick Lynch , Lighting: Justin Townsend, Photo: historygradguy
Direction: Steve Maler Set: Patrick Lynch , Lighting: Justin Townsend, Photo: Andrew Brilliant
Seth Gilliam as "Othello" and James Waterston as "Iago"
Direction: Steve Maler Set: Patrick Lynch , Lighting: Justin Townsend, Photo: Andrew Brilliant
AMANDA PALMER - design of touring costume
Erin Smith photography for Bampton Media
Erin Smith photography for Bampton Media
image taken from "In My Mind" music video shot and directed by Jim Batt
image taken from "In My Mind" music video shot and directed by Jim Batt
image taken from "In My Mind" music video shot and directed by Jim Batt
image taken from "In My Mind" music video shot and directed by Jim Batt
COPENHAGEN set + costume design
American Repertory Theater production director: Scott Zigler sets + costumes: David Reynoso lighting: Kenneth Helvig
American Repertory Theater production director: Scott Zigler sets + costumes: David Reynoso lighting: Kenneth Helvig
Model Photo
Photo: Michael Lutch
Model Photo
Preliminary Model
Preliminary Rendering
Preliminary Rendering
Preliminary Rendering
HAMLETMACHINE - set and costume design for A.R.T Institute
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
directed by Marcus Stern; Lighting by Justin Townsend; photo: Marcus Stern
costume construction: Carmel Dundon
set rendering
TROJAN BARBIE - { world premiere } set design for American Repertory Theater
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend
American Repertory Theatre's Zero Arrow Theatre Set + Costume design by David Reynoso
American Repertory Theatre's Zero Arrow Theatre Set + Costume design by David Reynoso
American Repertory Theatre's Zero Arrow Theatre Set + Costume design by David Reynoso
American Repertory Theatre's Zero Arrow Theatre Set + Costume design by David Reynoso
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
TROJAN BARBIE - { world premiere } costume design for American Repertory Theater
dress on form (draper: Carmel Dundon, stitcher: Tova Moreno)
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
American Repertory Theater director: Carmel O'Reilly sets + costumes: David Reynoso lighting: Justin Townsend photo: M. Lutch
HOST OF A GHOST music video art direction
Art Direction by David Reynoso Directed by Juan Son for Tercer Piso Records
Art Direction by David Reynoso Directed by Juan Son for Tercer Piso Records
Art Direction by David Reynoso Directed by Juan Son for Tercer Piso Records
Art Direction by David Reynoso Directed by Juan Son for Tercer Piso Records
Art Direction by David Reynoso Directed by Juan Son for Tercer Piso Records
Art Direction by David Reynoso Directed by Juan Son for Tercer Piso Records
NADA art direction + costume design proposal for Juan Son
Design Proposed for Juan Son's Music Video (Never Realized)
Design Proposed for Juan Son's Music Video (Never Realized)
Design Proposed for Juan Son's Music Video (Never Realized)
Design Proposed for Juan Son's Music Video (Never Realized)
Design Proposed for Juan Son's Music Video (Never Realized)
Design Proposed for Juan Son's Music Video (Never Realized)